Skip to main content

Rapid Reviews: Guardians of the Galaxy Vol. 2 and The Wall





Recently I offered an outpouring of love for James Gunn's surprisingly successful first installment, Guardians of the Galaxy, by labeling it as the best entry within the Marvel Cinematic Universe (MCU). Needless to say, my anticipation for the franchise's second film was astronomical, something I haven't said about any sequel for quite some time. Yet, Guardians of the Galaxy Vol. 2 fails to advance the Marvel story with a dull and lifeless character examination of Peter Quill.

Daddy issues resurface as the mystery surrounding Peter Quill's (Chris Pratt) biological father becomes quickly addressed. Kurt Russell co-stars as Ego, the mystery man who helped spawn Star-Lord, and he returns with a bit of surprising news. Ego is what's referred to as a celestial, a god-like being with immense powers, and he helps Peter recognize his own superior abilities as they slowly reconnect after decades apart.

As I have stated before, I am no purist to the Marvel comics. In fact, the MCU is merely a refreshing brand of comedic and action-packed superhero fodder that's managed to progress and expand fluidly into an unstoppable machine. However, GOTG Vol. 2 takes a step out of the natural progression and dives deep into its source material's influence. James Gunn uses a wide combination of both familiar characters and new ones, bolstering a lineup that comic book loyalists are sure to appreciate, in order to expand on Star-Lord's character rather than act as a proper stepping stone towards the upcoming Avengers: Infinity War. While this approach isn't necessarily destined to fail all own its own, Peter Quill's lack of personal conflict in the third act butchers this entire game-plan. GOTG Vol. 2's rampant attempts at comedic relief feel nowhere near as natural as its predecessor and, in conjunction with hokey dramatics and an irritatingly mind-numbing dose of Baby Groot, this sequel feels wildly off the mark. Marvel's typical formulaic approach is scrapped from James Gunn's latest work and, oddly enough, it leaves you longing for the cookie-cutter sequel. Simply stated, GOTG Vol. 2 feels twice as long and about not even half as good as the original.


Stars: 2 stars out of 4

Grade: C





Doug Liman has emerged as an action aficionado of sorts. The long-time filmmaker broke onto the scene in the mid-90s as the visionary behind the indie classic, Swingers. But since then, Liman has pivoted to a more uptempo directing approach with successes such as The Bourne Identity and The Edge of Tomorrow. Yet, even as a heralded filmmaker within the action genre, Liman's latest cat & mouse sniper thriller, The Wall, becomes hampered by its claustrophobic setting.

Set during 2007 in Iraq, after President Bush had declared victory, a pair of soldiers (Aaron-Taylor Johnson and John Cena) are investigating the murder scene of American contractors in the middle eastern country. Consequently, the two soldiers fall under the gunfire of an undetectable and skillful sniper. Left with nothing but a flimsily built rock wall to shelter him from the sniper's accuracy, Isaac (Johnson) finds himself immersed in a battle of wits and warfare with the opposing shooter.

Filmed predominantly in the same setting, The Wall tries desperately to avoid an aura of monotony with a mere 85-minute running time. Unfortunately, a severed amount of screen time still can't stop Liman's effort from standing as a tiresome affair. An insufficient and bland story overshadows an initially intriguing psychological opening. However, as the minutes begin to mount and the film's third act ultimately takes shape, a decent final sequence isn't nearly enough to salvage an utter lack of connection between viewer and characters. Aaron Taylor-Johnson, fresh off a Golden Globe win for his supporting role in Tom Ford's Nocturnal Animals, delivers a committed performance, but even his unique talents fail to withstand a rather unimaginative screenplay from Dwain Worrell. The Wall is more gimmicky than substantive, something that clearly doesn't suit Doug Liman's proven abilities as a filmmaker.


Stars: 2 stars out of 4

Grade: C

Comments

Popular posts from this blog

The Glass Castle

Destin Cretton is anything but a household name. Yet, the gifted filmmaker turned heads with his massively overlooked 2013 drama, Short Term 12 . The effort bridged together Cretton's singular story and vision with the remarkable acting talents of Brie Larson. Since then Larson has gone on to win an Academy Award ( Room ), but her career comes full circle in her latest collaboration with Destin Cretton in the adapted film The Glass Castle . Told non-chronologically through various flashbacks, The Glass Castle follows the unconventional childhood of gossip columnist and eventual Best-Selling author Jeannette Walls (Larson). Prior to her career as a writer, Walls grows up under the dysfunctional supervision of her alcoholic father (Woody Harrelson) and her amateur artist mother (Naomi Watts). But as Jeannette and her siblings begin to mature and fully comprehend their squatter-lifestyle and impoverished upbringing, they must work together to escape the clutches of their deadbeat par...

The Best of the 2016 Philadelphia Film Festival

Sadly, the 25th annual Philadelphia Film Festival has come and gone. One of my favorite yearly events produced an amazing film lineup throughout its 11-day span of uninterrupted movie-watching, making 2016 the city's most impressive festival to date. I was only able to catch 17 films in total, a slightly lower figure than usual, but I'm thrilled to look back and recognize my "Best of the Fest" selections ( here's a look back at the 2015 festival ). Keep an eye out for these picks in the upcoming months, because many of them are guaranteed to garner acclaim during this year's Oscar run. Best Supporting Actress Honorable Mention:  Greta Gerwig ( Jackie ) and Janelle Monae ( Moonlight ) #3.  Naomie Harris ( Moonlight ) #2.  Haley Squires ( I, Daniel Blake ) And the winner is ... Michelle Williams - Manchester by the Sea Williams has always been a personal favorite of mine. And although her screen time is somewhat limited in this over two-hour drama, she most ...

Rapid Reviews: Despicable Me 3 and The House

If there's one current animated franchise I always look forward to, it's the Despicable Me films. Credited directors Kyle Balda, Pierre Coffin and Eric Guillon (co-director) bring to theaters the third installment of this series. Yet, with each subsequent journey into the hilarious and complicated life of former-super-villain Gru (voice of Steve Carell), the Despicable Me franchise seems to take a step backwards. After foiling an attempt at capturing the disgruntled former child star and 80s retro villain, Balthazar Bratt (voiced by South Park creator Trey Parker), Gru and Lucy (Kristen Wiig) are fired from the Anti-Villain League (AVL). And just as Gru breaks the unfortunate news to his trio of adopted daughters, he's visited by a man who reveals that Gru has a twin brother named Dru (also Steve Carell) who happens to possess a taste for villainy himself. The estranged siblings engage in some mischievous behavior behind Lucy's back and it leads on a path back to Bal...